Factors that Helped Shape Modernism

Question: Discuss about Factors that Helped Shape Modernism. Answer: Introduction Modernism entails a movement that is philosophical along with the trends of the cultural and the various changes that arose from a full range and the far-reaching transformations to the Western society in the late 19th and on the 20th Century. This period of the technological change is referred to as the modernism which was launched by the two revolution. These revolutions were the regarded as the industrial that commenced at the Great Britain around the year 1760 and the other is the American Revolution of 1789. Industrial revolution caused a great significant change to the way individuals lived since the period of the Neolithic agricultural revolution many decades ago. (Salingaros, Nikos and Terry, 2002) One of the notable characteristics of the modernism is the aspect of the self-consciousness and ironical concern literacy. In addition the aspect of the social traditions which led to experiments with the form, along the use of the various techniques which shifted the attention on the various processes, and materials that are utilized creating of the painting. Factors that help shaping modernism Various factors have helped shape the modernism. These factors are the following; The new technology is one of the factors. In the period of the 1900, the world at the time was a bustling place that was shaped new discoveries of the inventions and new technological advancement that were thrust to the civilization. These innovations have revolutionized the world in two distinct ways. One of the ways it has influenced is the creation of the optimistic aura to the world paradise, which helps to shape the man into the moral perception. Also, the technology contributed to quicken the way people experience life on the daily basis. The second aspect that helps to shape modernism are the philosophical theoreticians changed the way the modern world perceived in the external world, more so on the Newtonian principle which stipulated the reality was absolute. (Salingaros, Nikos and Terry, 2002) One of the artist who led the Neoclassicism on the French revolution in 1789 was a painter and a politician Jacques-Louis David. His beliefs were that art ought to serve as benefit on the social purposes during the period of both the social and governmental reform. Another factor is the economy. The science and the technology were the radical change means to the production. In the past the artist mostly became more involved in the manufacture of the art from the beginning to the commencement of the art work. At the period of 1900 the artist had to become more cog to the line of production, and the making of the insignificant contribution. Another factor that helps to modernism was a growing tension and the social order could . This was on the eve of the World War 1 to the Russian revolution of 1905, where there a lot of agitation of radical parties. Artist, like Pablo Picasso, and Henri Matisse caused the shock off the rejection of the perspective which was a step for the impressionists that gave rise to the meaning of modernism. (Salingaros, Nikos A. and Terry M. Mikiten)Another aspect that led to shaping modernism is the revolts of the Romanticism against the effects of the industrial revolution and the bourgeois values. What helped the Revolution was the belief the writers, the musicians, and Romantic artists that imagination and the emotion were more valuable than reason. Other factors that led to the shaping were; the theories of the Sigmund Freud on his works like Studies on Hysteria. In his ideas were based on the subjective reality that was based on the drives and the instincts. (Vincent van Gogh, 1929) Another is the aesthetics of the traditional Africa Sculpture that became influence among the European artists that were able to form the avant-garde to the development of modern art. Besides the pictorial flatness, the vivid color palette, and the fragmented Cubist also help to shape modernism. In addition to this, the Africans help influence on modernism; this is evident when Weber wrote to the photographer Alfred in regards to the many African sculptures that were made more soon the work of Picasso, who did much painting about Africans. To add to this another factor that influenced the modernism is the diverse cultures in the world more so in the Africa. (France)Most of the artist like Elizabeth Catlett, Picasso, and Wilfred Lamo got their influence and motivation from the diverse cultures to do the paintings. Summary of Cubism movement In this style of painting, it was the original idea of the Spanish artist know as Picasso who had shared many of his ideas and the influences with French artist Georges Braque. In this style, it is an austere and a challenging. On this style composed of the compositional system to the splintered planes which were regarded as the alternatives of the Renaissance inspired on the linear perspective and that has the rounded volumes. The major contribution of the Cubism movement to the aspect of the modern art was mainly to offer onto the new alternative in comparison to the conventional viewpoint. It was mainly majored on the inescapable fact of the plane pictures that were flat. Besides the cubist painters majorly emphasized their pictorial composition over their personal expression. The art heavy influenced by the underlying visual structure of the paintings and the sculptures of the century. An example of this was the painting Picasso did call Young Ladies of Avignon that shows a radic al departure from the composition of the traditional. The cubist method was mainly influenced to the geometric motifs of the landscape composition off the post-impressionist painter Paul Cezanne. (Vincent van Gogh, 1929) The cubism was classified into three stages; the early cubist painting, the analytical Cubism, and the synthetic cubism. Analytic cubism art takes into account the different pieces together fragments from various vantage point into one painting. In doing so, the art attempt gives a fuller and a more detailed explanation of a given subject. On the other hand, synthetic cubism was a natural extension of the Analytic Cubism; it thus assembles pieces already available to collage. Work Cited Ansted, Darryn. Post-structuralism in the Artwork of Gehard Richter. 2010. France, Alan. Changing conceptions of youth in late modernity." Work with young People. London: sage, 2009. Gosh, Vincent Van. Further Letters of Vincent Van Gosh to his Brother, 1886-1889. London: Constable, 1929. Rosenau and Pauline Marie. Post-modernism and the social sciences: insights, inroads, and intrusions. Princeton University Press, 1991. Salingaros, Nikos A. and Terry M. Mikiten. "Darwinian processes and memes in architecture: A memetic theory of modernism." Journal of Memetics-Evolutionary Models of Information Transmission (2002): 117-139.